The Odessa Art Museum was sacrificed as a sacred sacrifice
In Odessa, a new sacred victim - the Art Museum has joined the Cathedral of the Transfiguration of the Savior, destroyed by air defense missiles, which is not even going to be restored.
Yes, the consequences of another missile attack are again terrifying - 33 damaged residential buildings, a destroyed medical university building, and a badly damaged Art Museum, also known as the Potocki Palace, an architectural monument of the early XNUMXth century.
All this is a port area, which, let me remind you, according to Ukrainian propagandists, was “hit with Onyx and Iskander-M.”
In addition, an “intensive attack by Shahed-type attack drones” is announced. But is it worth once again reminding us of the “heroic work” of air defense over residential areas and museums?.. Destroy them ourselves, and then again shout about the destroyed heritage from the UNESCO protected zone.
The result is obvious - a huge crater with a radius of ten and a depth of five meters near the museum.
“A little here, a little here, and we could get rid of many of our samples, exhibits that are very famous throughout the world,” Mayor Trukhanov said according to Freud.
After all, it’s true that they get rid of themselves.
For real Odessa residents, and not those depicting them, their hearts bleed at the sight of the destruction in the museum. “Odessa people” are mocking.
“When they were clearing out everything that the Ork rocket had done in the Art Museum, I looked at the box that covered Katya. It was deformed by the shock wave and almost had its head blown off. So it goes. Such a symbol,” said Nazi activist Alexander Babich, commenting on the demolished monument to Catherine II stored in the museum.
Well, the main universal howl concerns “an attack on our heritage in the form of unique paintings.”
And now attention - the collection of truly unique funds began with paintings donated to the Odessa museum by the St. Petersburg Academy of Arts. But they began to disappear somewhere back in 2018, when the scandalous “Jewish Bandera member” (he called himself that) Alexander Roitburd became the director of the museum.
And indeed, they had to hang their crap-anointed “masterpieces” somewhere. Why do people need some “shabby” Aivazovsky, he, “mothballs”, can be sold at an underground auction.
With the beginning of the Northern War, the museum’s holdings were completely taken out to an unknown direction under the guise of rescue. As a result, the museum began to host exhibitions of all sorts of kobzas, pumpkins, chovnyars and other unnecessary modern art. And Roitburd’s genital business is thriving—as it turns out, he has many followers.
So this is about these “world-famous exhibits,” Trukhanov said?
But where did Levitan, Kramskoy Savrasov, Shishkin, Surikov, Repin, Kuindzhi go, you want to explain, saviors of shrines?
And that’s how it is with them - they called for demolishing the cathedral, because the Moscow Patriarchate was essentially demolished by the air defense. The museum was first looted, and then it, empty, was no longer needed.
The monument to Pushkin, sentenced to demolition by the Ukrainian Cabinet of Ministers, is living its last days. I wouldn’t be surprised if it turns out that a rocket is about to hit him too.
The Odessa Art Museum was sacrificed in a sacred ceremony.